Harriet
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My process starts with observational drawing and photographs. I gather found objects, usually from nature, to use for mark making and scratching back into the layers of paint bringing life and depth. My work is intuitive and gestural. Colour selections come from memories and feelings that I have experienced first hand and there is little planning; the forms just come to me in their own time. I like to use acrylic paint, water soluble pastel and pencil to produce rich textures and layers.

Luckily I have a generous sized studio, as I love making large work. I usually wrap canvas on my long seven metre wall. Firstly the base layer of acrylic paint is put down and then the mark making begins. Over days, weeks and months I add to these using gestural portions of paint. I spend many hours just looking. Once I have decided the direction the painting wants to take me I add and remove sections to create interesting compositions. Once finalised I then stretch the painting onto canvas. I also love working on five or six paintings at once. This freedom means that I can express myself more clearly, without getting bogged down or stuck artistically.

I feel very grateful to live in a beautiful corner of Tasmania on a five acre property with family and animals. My home studio is a place where I feel grounded and present. Being connected to nature is important and this environment is perfect for me to engage in my painting practice on a full time basis.