Artist profile

Kevser
Ugurlu

  • Abstract
  • Acrylic Painting
  • Drawing
  • Mixed Media
  • Modern
  • Narrative
  • Surrealism
  • Watercolour

Kevser Ugurlu began her artistic practice, where rooted in her upbringing in Turkey. From her early age, she was drawn to the world of art, exploring the fundamental principles through sketching human figures and experimenting with watercolour and various medium during her education.

Although she initially pursued a different career path in Japan, where her skills in design, creating logos, posters, and illustrations for books, but eventually circled back to her true passion after a hiatus of many years , and she returned to her first love- painting and drawing in Australia.

Today, she has been actively engaged in the art scene, and within a short time, the awards she has received and the projects she has taken part in reflect the strong revival of her painting life.

Kevser Ugurlu
Career Highlights

- “Journey in Harmony” Community Artist for Envirographics Art in Health Project of “NSW Government Liverpool Health and Academic Precinct”, Stage 1 / Neonatal Intensive Care Unit, Liverpool, Sydney, Australia 2024

- -Closer to the Boat- "The Smart Bins Project" Blacktown City Council The Leo Kelly Blacktown Art Centre Sydney Australia / 2021

- “LAS, Casula Powerhouse Arts Centre” 1st prize winner in watercolour category, Sydney, Australia 2022

Artist Interview
What medium do you work with, and why have you chosen them?

Although watercolour, ink on paper are often considered challenging mediums, their fluidity and transparency let me capture the rhythm, movement, and layered forms while also offering a therapeutic, almost meditative experience. It never feels restrictive—on the contrary, it often surprises me in unexpected and beautiful ways.

How does your artwork get from initial concept to exhibition stage?

I aim to surprise the viewer with my authentic and unique style. When I begin work with a specific theme or message, I first envision it in my mind and create small sketches. After establishing the main elements on paper, I let the watercolour flow, producing pieces that can take anywhere from long hours to several weeks to complete. I particularly enjoy working on details like placing, spreading elements over an abstract background, aiming to create a harmonious composition. Sometimes I apply illustrative touches, other times a clearer background, depending on what the piece needs. Abstraction is very important to me, yet I never make it completely abstract; I like to leave space and figurative elements for viewers to interpret the layers and depth of the work in their own way. When preparing a series, I often use recurring objects across the pieces, presenting them as a cohesive set. In the final stage, I pay attention to how the surrounding matte tones and borders harmonise with the painting, as I consider them an integral part of the work."

Can you tell us a little more about your creative working environment/studio?

My studio, with bright, calm and natural light, greatly influences my colour choices and lifts my mood while I work. Although the view is not particularly striking, the calm and quiet environment is a major advantage, allowing me to concentrate fully. Since I also teach, having a relatively spacious studio lets my students experience the atmosphere of a proper atelier. Paints, pencils, and papers are always organised when I’m not working. Additionally, I consider my cat as part of the studio, bringing a unique energy to the creative process.