Artist profile
Madeline
Stuart
Madeline Stuart is an emerging self-taught artist based on Awabakal Land in Newcastle, NSW. Since painting and creating from a young age, Madeline has made time for her art practice over the years while juggling working as a Radiographer, and becoming a mother of two.
Having spent many years painting still life and wildlife, it was on return to Australia in 2020, after living and working in the UK, when Madeline rediscovered the unique and distinctive Australian landscape. She paid particular attention to the rich native flora and the interesting coastlines that Australia has to offer. It is this fascination that informs much of her current work, particularly the contrasting colours of the Australian bush and the blue hues of the ocean.
Initial mark making and deliberate brush strokes are a big part of Madeline's work, as is evident in the glimpses of underpainting and layers of paint seen on the canvas. Madeline's aim is to transport you to a familiar place with her work, inviting you to escape and discover a refuge in the environment and art.
Madeline is interested in exploring still life again, finding beauty in everyday objects.
Career Highlights
- Artist in Residence in Olhão, Portugal under the tutelage of Australian Artist Richard Claremont
- Oil painting workshop with award winning Australian Artist Rachel Milne
- Exhibited and sold work at North Sydney Community Centre in 2014
Artist Interview
What medium do you work with, and why have you chosen them?
I like to use acrylic and oil on canvas. Although most recently, I have primarily been using acrylic paints, as I'm time poor with raising a young family. I love that you can layer quickly and get ahead on the artwork in a short amount of time.
How does your artwork get from initial concept to exhibition stage?
I gain inspiration from going on walks, or looking back on photos of past adventures. Once I've mapped out the composition, I try not to overwork the brush strokes and leave glimpses of the underpainting. I find sitting with the artwork for a short period before framing is key to make any changes if need be.
Can you tell us a little more about your creative working environment/studio?
My home studio is situated in the corner of our spare bedroom. Although light-filled, it's tight on space, so I can't spread out like I would love to! I'm usually listening to an art podcast or some music to keep the creative juices flowing.
